JOHN DUNCAN FERGUSSON, R.B.A. | LA FORCE

FRANCIS CAMPBELL BOILEAU CADELL, R.S.A., R.S.W. | ADAM AND EVE

PATEK PHILIPPE | 'GENEVA SEAL' NAUTILUS, REF 5711/1 STAINLESS STEEL

SIR WILLIAM RUSSELL FLINT, R.A., P.R.W.S. | OLEARIA

PATEK PHILLIPE | NAUTILUS, REF 5712 WHITE GOLD WRISTWATCH WITH DATE

JACK VETTRIANO, O.B.E. | THE CIGAR GIRL

Hermès Rose Tyrien Sellier Kelly 28cm of Ostrich with Palladium Hardware

ALEXIS GARIN | UNIQUE PINK GOLD AND DIAMOND-SET PERPETUAL CALENDAR

ROGER DUBUIS | VELVET, REF 86770 UNIQUE WHITE GOLD AND DIAMOND-SET

Hermès Mini Kelly Pochette of Bleu Indigo Matte Mississippiensis Alligator

ALBERT WATSON | KATE MOSS, MARRAKECH (CONTACT), 1993

Hermès Horseshoe Stamped (HSS) Bi-color Etain and  Bleu Nuit Birkin

1988/1992 Screenprint in colours after the painting, on wove paper, with full margins. I. 80 x 110.4 cm (31 1/2 x 43 1/2 in.)S. 94 x 134.5 cm (37 x 52 7/8 in.) I. 80 x 110.4 cm (31 1/2 x 43 1/2 in.)S. 94 x 134.5 cm (37 x 52 7/8 in.) Signed in pencil, from the edition of 135, published by King Publishing, London, framed, not recorded in Schubert.

New Day - Bridget Riley

1983/2001 Screenprint in colours, on wove paper, the full sheet. S. 101.6 x 101.6 cm (40 x 40 in.) Numbered 'H.C. 15/15' in pencil on the front (an hors commerce copy, the edition was 85 and 15 artist's proofs), signed and dated '11-19-01' in pencil by Gerard Basquiat (Administrator of the Estate of Jean-Michel Basquiat) on the Estate stamp on the reverse, published by DeSanctis Carr Fine Art, Los Angeles, framed.

Per Capita - After Jean-Michel Basquiat

2008 Screenprint in colours with gold glitter, on wove paper, with full margins. I. 56.2 x 76.3 cm (22 1/8 x 30 in.)S. 75.6 x 95.2 cm (29 3/4 x 37 1/2 in.) I. 56.2 x 76.3 cm (22 1/8 x 30 in.)S. 75.6 x 95.2 cm (29 3/4 x 37 1/2 in.) Signed, numbered 26/100 and dedicated 'for Jess, Love xxx' in pencil (there were also 10 artist's proofs), published by Other Criteria, London, framed.

Untitled Gold Gift Spot - Damien Hirst

Igout, Louis Jean Baptiste (French, 1837–ca. 1881) Album d'Etudes Poses Ca.1870s. Small folio. 22 contact sheet-style mounted albumen prints, each comprised of 16 images. Quarter red faux leather, stamped in gilt, over marbled paper-covered boards, front hinge starting; marbled endpapers. An album of 352 artistic nude studies. Estimate $800-1,200 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The lot is sold in the condition it is in at the 

Igout

LAURE ALBIN-GUILLOT (french, 1879–1962) WOMAN IN BATHING SUIT Ca. 1930. Signed in pencil on lower right of image. Gelatin silver print. Image/sheet: 8 x 6 1/8 in. (20.3 x 15.6cm). Laure Albin-Guillot is known for working with a variety of subject matter—everything from celebrities to microscopic organisms. Estimate $400-600 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The lot is sold in the condition it is in at the time of sale. The condi

LAURE ALBIN-GUILLOT (french

Sax Berlin continues his Abstract Expressionist series with this mixed media oil and acrylic on canvas piece. Always concerned with the state of humanity and our impact on the planet he addresses the very real spectre of racism. This is a philosophical work and challenges the continuing face of racism. Contemporary Oil Painting Mixed Media Abstract Abstract New Listings Abstract Sax Berlin Collection Contemporary British Abstract Expressionist Large Works

Stamp Out Racism. We All From Africa - SAX BERLIN

Painted in Sax Berlin's iconic Sharp Edge style, Wise Up displays motif's from Africa, see the display of flags at the bottom of the canvas for example, and instantly recognisable symbols from Western popular culture. Berlin strives to enlighten one about the evil of racism in this reflection of his vision of modern society. The painting is laced with meaning and interwoven with art history, allowing Berlin to write an essay in paint. Acrylic on canvas   VIDEO: Wise Up We All From Africa Contemp

Wise Up. We All From Africa - SAX BERLIN

In the 1990s, John acquired a number of these Meisel prints from a Coca-Cola bottler in Knoxville, Tennessee. Like most bottlers, he displayed those in the offices of his bottling plant. They were made available to bottlers in 1976 by the company, and 30 different variations were offered to the bottlers, all with different images. Most of the images are pulled from signs, posters, and other print advertising that the company used over its history up to that point, and these served as wonderful r